Born: 1882
Biography:
Nellie Yu Roung Ling, also known as Nelly, was born on 1882. She belonged to the Hanjun Plain White banner and was a renowned dancer, often regarded as the first modern dancer of China. She was the younger daughter of Yu Keng, a prominent Chinese figure, and Louisa Pierson. Her elder sister, Lizzie Yu Der Ling, was also well-known. Although she was not a member of the Qing imperial family, Roung Ling was given the title of commandery princess while serving as a lady-in-waiting for Empress Dowager Cixi.
Roung Ling was described as a talented dancer who played a significant role in revolutionizing dance in China. She was also recognized for her exceptional beauty and elegance. Her performances captivated audiences and showcased the rich culture and traditions of China. Roung Ling’s passion for dance and her natural talent made her a pioneer in the field.
Born into an upper-class family, Roung Ling was exposed to Western education, a rarity for high Manchu officials at the time. She and her siblings, including her brothers Charles Yu Hsingling and John Yu Shuinling, attended American missionary schools and became fluent in English. They were also well-versed in Japanese and French, making them a truly cosmopolitan family.
During her time in Japan with her family, Roung Ling discovered her love for dance. She performed an impromptu Japanese dance called Tsurukame (crane-tortoise) that she had learned from a servant. The performance was well-received by Japanese dignitaries, which further fueled her passion for dance.
In 1899, Roung Ling moved to France with her father, who was appointed as the minister-plenipotentiary to the French Third Republic. In Paris, she was entrusted with the responsibility of looking after the sisters of the Sacred Heart Convent School. Roung Ling embraced Parisian fashion and was often mistaken for a French woman due to her impeccable style.
She became a cultural ambassador, promoting Chinese dance and culture in France. Roung Ling’s performances showcased the grace, beauty, and complexity of traditional Chinese dance. She received accolades and appreciation from French audiences, who were captivated by her performances.
In addition to her contributions to dance, Roung Ling was also well-versed in poetry, with a particular affinity for the works of E.B. Browning. Her talent and knowledge added depth and context to her performances, earning her further acclaim.
Roung Ling’s impact on society extended beyond the realm of dance. She challenged societal norms and expectations by pursuing a career in the arts, particularly as a dancer. Her success and recognition as the first modern dancer of China inspired other women to follow their passions and break free from traditional gender roles.
Despite her influential status and accomplishments, Roung Ling faced her share of struggles and challenges. As a woman in a male-dominated industry and society, she had to overcome various obstacles to establish herself as a respected and celebrated dancer. Her determination and perseverance paved the way for future generations of female artists and performers.
In her later years, Roung Ling married General Dan Pao Tchao, becoming known as Madame Dan Pao Tchao. She also adopted the title of Princess Shou Shan, which appeared on the cover of her 1934 historical novella about the Fragrant Concubine (Hsiang Fei). However, it is worth noting that Sir Reginald Johnston claimed she never used this title.
Throughout her remarkable life, Nellie Yu Roung Ling made significant contributions to the world of dance and challenged societal norms. Her dedication to her craft, her role as a cultural ambassador, and her influence on women’s empowerment make her a prominent figure in women’s history.