Born: 1940 (Australia)
Biography:
Marilyn Fay Jones OBE, born on 17th February 1940, is an acclaimed Australian dancer and teacher of dance. Regarded as the greatest classical dancer Australia has produced, Marilyn Jones has left an indelible mark on the world of ballet and has been instrumental in shaping the development of classical dance in Australia.
Jones’ journey in the world of dance began early on. She received her training from Tessa Maunder in Newcastle before embarking on her studies at the prestigious Royal Ballet School in London. It was during her time at the Royal Ballet School that her talent and dedication to her craft began to shine through.
In 1957, Jones joined the Royal Ballet as a dancer, showcasing her exceptional skills and versatility. However, it was her return to Australia and affiliation with the Borovansky Ballet that truly solidified her place in the history of Australian ballet. As a principal artist with the Borovansky Ballet, Jones captivated audiences with her graceful and captivating performances.
Jones’ career reached new heights when she was invited to join the Australian Ballet, the successor to the Borovansky Ballet, as a founding principal in 1962. Her contributions to the Australian Ballet were nothing short of remarkable. Throughout her tenure as a prima ballerina, which lasted until 1978, Jones brought a level of artistry and elegance to the company that elevated Australian ballet to international recognition.
In 1979, Marilyn Jones took on the role of Artistic Director of the Australian Ballet, further cementing her influence on the development of dance in Australia. During her three-year tenure as the Artistic Director, Jones brought her wealth of experience and artistic vision to the company, nurturing and guiding the next generation of dancers.
Jones’ passion for dance extended beyond her performances and directorial duties. In 1991, she founded the Australian Institute of Classical Dance (AICD) after receiving a Creative Arts Fellowship from the Australian Government. As the artistic director of AICD, Jones dedicated herself to fostering the growth and development of classical dance in Australia, providing young dancers with the opportunity to receive a comprehensive education and pursue their dreams.
Throughout her career, Marilyn Jones has held several notable positions within the dance community. She served as the director of the National Theatre Youth Ballet from 1996 to 1998, leaving an impact on young dancers through her mentorship and guidance. Additionally, she served as the Director of the National Theatre Ballet School in Melbourne from 1995 to 1998, further contributing to the education and training of aspiring dancers.
In her later years, Jones continued to share her expertise and passion for dance. In 2000, she taught at the Western Academy of Performing Arts, passing on her knowledge to the next generation of dancers.
Marilyn Jones’ contributions to the world of dance have not gone unnoticed. In recognition of her outstanding services to Australian ballet, she was appointed an Officer of the Order of the British Empire on 1st January 1972. This prestigious honor exemplifies the impact Jones has had on the field of ballet and her significant role in elevating Australian ballet to international prominence.
Marriage and family have also played an important role in Marilyn Jones’ life. In 1963, she married Garth Welch, a fellow principal dancer. The couple went on to have two sons, Stanton Welch and Damien Welch. Following in their mother’s footsteps, both sons pursued careers in dance. Stanton eventually became a choreographer and currently serves as the Artistic Director of the Houston Ballet. Damien, a former principal artist with The Australian Ballet, also shares his mother’s passion for dance.
Marilyn Jones’ remarkable journey as a dancer, teacher, and artistic director has not only enriched the world of ballet but has also helped shape the development of classical dance in Australia. As a pioneer in her field, she has left an enduring legacy, inspiring generations of dancers to pursue their dreams and setting the stage for the continued growth and excellence of Australian ballet.
Awards:
– Officer of the Order of the British Empire (OBE) for services to Australian ballet (1972)